SEALING
Artist residency
Interspecies performance
SIM Residency, Reykjavik, Iceland 2024
Reenacted at the Contemporary Art Gallery in Opole, Poland 2024
A series of exercises to develop sealy movements
During my residency in Iceland, I focused on the ability to survive extreme cold, as well as the capacity
of ice to withstand global warming. As I wandered through the fjords, I watched enviously as seals bathed effortlessly in the icy waters—a life-threatening endeavor for someone like me. I began to wonder how they managed to survive such extreme conditions. Anatomically, seals are surprisingly similar to humans—they have arms and legs, although theirs are joined at the tail, and they breathe air just like we do. I felt
a deep connection with them, as if we were somehow related. Yet, despite these similarities, these marine mammals are far better adapted to cold water environments, facing none of the challenges that cold presents to humans. They are shielded from frostbite by a thick layer of blubber and fur, and their circulatory system allows them to drastically slow their metabolism.
At the same time, their horizontal way of moving on a layer of abdominal fat, and their habit of accumulating heat while resting in the "happy banana" position, inspired me to explore my own physiology. These observations led to the development of a series of exercises designed to help adapt to the harsh conditions of the subpolar climate. I called these exercises Sealing.
When seals are content and full, they retreat to the shallows, lie on the stones, yawn deeply, and lift their feet and heads to dry off. In this "happy banana" position, they bask in the sun, regulate their body temperature, and observe the water, seemingly able to lie like that forever.
I decided to train myself to replicate this behavior. You should try it too
Lie on your side, lift your torso and legs.
Hold for at least 30 seconds.
Lie on your stomach, lift your torso and legs.
Hold for at least 30 seconds.
Lie on your back, lift your torso and legs.
Hold for at least 30 seconds.
Over time, I noticed that the seals became curious about my presence on the shore. They would come to watch every time I appeared. For a month, we met by the ocean, attempting to synchronize our movements in a kind of shared choreography. As I continued my daily interactions with the seals, I began to realize just how fragile and vulnerable humans are compared to these creatures that thrive in such harsh environments. While the seals seemed naturally equipped to navigate the icy waters, I had to push my body to its limits just to endure a brief immersion, which eventually resulted in frostbite on my fingers. This stark contrast made me acutely aware of the limitations of the human body.
Despite our differences, the seals' curiosity toward me was undeniable. They would gather whenever I appeared on the shore, watching me with their large, expressive eyes as I tried to mimic their movements and adapt to their world. I admired their strong belly muscles, their fur, flippers, big eyes, and whiskers. I couldn't help but think how much easier my connection with the water would be if I had even one of those adaptations. Despite lacking a thick layer of blubber and fur, I finally plunged into the extreme cold water. At that moment, the entire fleet of seals from the fjord swam over to me, circling my naked body. It was an intensely surreal experience that somehow warmed me in the freezing water.
Although we were creatures of different species, living in completely different realities, there was a sense of mutual curiosity that connected us. Our interactions, though sometimes futile from a communicative standpoint, felt meaningful. It was as if we were trying to bridge the gap between our worlds, even if only through shared moments of observation and movement.
The results of the artistic research conducted during the residency were presented in the form of a performance at the Contemporary Art Gallery in Opole. Performed together with Aleksandra Tarocińska.
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